Nam June Paik, Electronic Superhighway: Continental U.S.
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Nam June Paik. Korean-born artist Nam June Paik was a seminal figure in video art. His video sculptures, installations, performances and single-channel videos encompassed one of the most influential bodies of work in electronic media art. Merging global communications theories with an irreverent Fluxus sensibility, his work in music, performance and video explored the juncture of art.
For a man who invented an entire art form, Nam June Paik comes across as lovably antic. His version of the video art he pioneered turns out to be extraordinarily playful. His is an aesthetic of.
Paik's TV Cello (1964), for example, was designed as a performance piece that combined aspects of live music and electronic video display with a participation component. Lesson Summary.
Also in October, MIT Press released We Are in Open Circuits: Writings by Nam June Paik, a collection of essays, project plans and correspondence from across Nam Jun Paik's career. Highlighting many previously out of print and unpublished materials, the book draws heavily upon works from the Paik Archive that, until now, would have required an appointment and a trip to DC to read. To mark this.
Printed Matter’s online catalog is one of the largest and most comprehensive databases of artists’ books and related publications. The catalog contains records for approximately 45,000 titles, which includes inventory currently in stock and available for sale, as well as an archive of titles previously stocked.
Nam June Paik: video time,. and an essay by Guggenheim curator John G. Hanhardt-supplemented by a selection of Paik's own writings-this volume allows art lovers to experience the numerous ways in which Paik has treated the electronic moving image and expanded the definition of sculpture and installation art over the past four decades.--Amazon.com. Merce by Merce by Paik by Nam June Paik.